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3d colors display in spectralayers pro 3
3d colors display in spectralayers pro 3









3d colors display in spectralayers pro 3

Way explains, “During principal photography we were able to utilize our Anywhere system to turn around dailies and rough cuts within hours after shooting. The entire film was shot in Austin, Texas during May of 2014, but the processing of dailies and all post production was handled back at the Venice facility. Steven Chester Prince ( Boyhood, The Ringer, A Scanner Darkly) moves behind the camera as the film’s director. Forces both natural and supernatural lead Harriman down a road to redemption culminating in a final showdown with his long time foe, Reverend Guy Roy Davis. Their latest film, Divine Access, produced by The Traveling Picture Show Company in association with G-Men Media, is a religious satire centering on reluctant prophet Jack Harriman. No science project – they have now tested the concept in the real world on several indie feature films. By using Adobe Anywhere, Jeff Way (COO) and Clay Glendenning (CEO) sought to improve the efficiency of the filmmaking process for their productions. One company that has invested in the Adobe Anywhere environment is G-Men Media of Venice, California, who installed it as their post production hub. This sort of approach is applied to collaborative workflows with Adobe Anywhere, which permits multiple stakeholders, including editors, producers and directors, to access common media and productions from multiple, remote locations.

3d colors display in spectralayers pro 3

Editors like the integration of Adobe’s software, especially Dynamic Link and Direct Link between creative applications.











3d colors display in spectralayers pro 3